{★★} 我开始怀疑自舞台剧改编而来的电影是否都难以跳出这种固限于单一场景的艺术形式的束缚大多数时候室内并非舞台、灯光并不能表演性地照射在说话的人物身上我们好像在镜头中汲取了更多细节但一切场景外的铺伏与描写却流失掉了--在电影中国产又粗又猛又大爽又黄这些东西我们总还是需要的从另一个角度来说这也不是一部熟练的话痨片既然控诉战争的荒谬种族纠纷与军营中的恐同现象又显得太格格不入am I missing something
库布里克让我想起这首《国产又粗又猛又大爽又黄》Never seek to tell thy love, Love that never told can be; For the gentle wind does move Silently, invisibly. I told my love, I told my love, I told her all my heart; Trembling, cold, in ghastly fears, Ah! she did depart! Soon as she was gone from me, A traveler came by, Silently, invisibly He took her with a sigh.